Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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George Inness
Near Perugia

ID: 80959

George Inness Near Perugia
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George Inness Near Perugia


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George Inness

1825-1894 George Inness Galleries George Inness (May 1, 1825 -August 3, 1894), was an American landscape painter; born in Newburgh, New York; died at Bridge of Allan in Scotland. His work was influenced, in turn, by that of the old masters, the Hudson River school, the Barbizon school, and, finally, by the theology of Emanuel Swedenborg, whose spiritualism found vivid expression in the work of Inness' maturity. He is best known for these mature works that helped define the Tonalist movement. Inness was the fifth of thirteen children born to John Williams Inness, a farmer, and his wife, Clarissa Baldwin. His family moved to Newark, New Jersey when he was about five years of age. In 1839 he studied for several months with an itinerant painter, John Jesse Barker. In his teens, Inness worked as a map engraver in New York City. During this time he attracted the attention of French landscape painter Regis François Gignoux, with whom he subsequently studied. Throughout the mid-1840s he also attended classes at the National Academy of Design, and studied the work of Hudson River School artists Thomas Cole and Asher Durand; "If", Inness later recalled thinking, "these two can be combined, I will try." Concurrent with these studies Inness opened his first studio in New York. In 1849 Inness married Delia Miller, who died a few months later. The next year he married Elizabeth Abigail Hart, with whom he would have six children.  Related Paintings of George Inness :. | The Valley of the Olives | In the Roman Campagna | Two Sisters in the Garden | Etretat | Old Farm-Montclair |
Related Artists:
Eugene Boudin
1824-1898 French landscape painter. Encouraged at an early age by Jean-Francois Millet, Boudin became a strong advocate of painting directly from nature. In 1874 he exhibited with the Impressionists, but, unlike those painters, he was not an innovator, and from 1863 to 1897 he exhibited regularly in the official Salon. His favourite subjects were beach scenes and seascapes, which show remarkable sensitivity to effects of atmosphere; on the backs of his paintings he recorded the weather, light, and time of day. His works link the careful naturalism of the mid 19th century and the brilliant colours and fluid brushwork of Impressionism.
Nikolai Ge
1831 C 13 June [O.S. 1 June] 1894) was a Russian realist painter famous for his works on historical and religious motifs. Nikolai Ge was born in Voronezh to a Russian noble family of French origin. His grandfather emigrated to Russia in the 18th century. His parents died when he was still a child, so Nikolai was raised by his serf nurse. He graduated from the First Kiev Gymnasium and studied at the physics-mathematics department of Kiev University and Saint Petersburg University. In 1850 he gave up his career in science and entered the Imperial Academy of Arts in Saint Petersburg. He studied in academy under the historical painter Pyotr Basin until 1857. He graduated from the academy in 1857 with a gold medal for his painting The Witch of Endor Calling Up the Spirit of the Prophet Samuel. According to Ge himself, during that period he was strongly influenced by Karl Brullov. His gold medal provided him a scholarship for studying abroad . He visited Germany, Switzerland, France and in 1860 settled in Italy. In Rome he met Alexander Andreyevich Ivanov who strongly influenced Ge. In 1861 Ge painted The Last Supper; in 1863 he took the painting with him to Saint Petersburg. Ge found his own interpretation of the classical subject ?? he emphasized the motif of discord among those who had formerly shared the same views. The painting (bought by Tsar Alexander II of Russia) made so strong impression that Ge was made a professor of Imperial Academy of Arts. In 1864 he returned to Florence where he became a friend of a major Russian pro-Western writer and thinker Alexander Herzen and painted his portrait. The same year he also painted Messengers of the Resurrection and the first version of the Christ on the Mount of Olives.
Nathan Webb
1767-1853






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